4 举例说明死亡冲动
When does this complaint begin? From the moment when she crosses the entrance to the zone between life and death, that is to say, when what she has already affirmed herself to be takes on an outward form. She has been telling us for a long time that she is in the kingdom of the dead, but at this point the idea is consecrated. Her punishment will consist in her being shut up or suspended in the zone between life and death. Although she is not yet dead, she is eliminated from the world of the living. And it is from that moment on that her complaint begins, her lamentation on life.
这个抱怨何时开始?从她跨越过进入生命与死亡之间的领域的这个时刻。换句话说,当她已经肯定她自己的东西,具有一个外在的形式。她长久以来一直告诉我们,她处于死者的王国。但是在这个时刻,这个观念被献祭。她接受的惩罚将是在于被关闭,或搁置在生命与死亡之间的地区。从那个时刻开始,她的抱怨开始,她对于生命的哀悼。
Antigone will lament that she is departing άταφος, without a tomb, even though she is to be shut up in a tomb, without a dwelling place, mourned by no friend. Thus her separation is lived as a regret or lamentation for everything in life that is refused her. She even evokes the fact that she will never know a conjugal bed, the bond of marriage, that she will never have any children. The speech is a long one.
安提贡尼将会哀悼,她正在离开άταφος ,没有坟墓,即使她应该被囚禁于墓室之内,没有一个居住地方,没有朋友哀悼他。因此,她的绝望被生活,作为一种遗憾或哀悼,对于生活中她被拒绝的每样东西。她甚至召唤这个事实: 她将永远不会知道性爱的温床,婚姻的约束。她将永远不会拥有任何小孩。这段讲词非常冗长。
It has occurred to some commentators to cast doubt on this side of the tragedy in the name of the so-called unity of the character represented as the cold and inflexible Antigone. The term φνχρόν is that of coldness and frigidity. Creon calls her "a cold object to caress," fine 650, in a dialogue with his son, so as to let him know that he's not losing very much. Antigone's character is contrasted with her complaint so as to bring out the lack of verisimilitude in an outburst that, it is held, should not be attributed to the poet.
有些评论家曾经想到怀疑悲剧的这一边,以所谓的性格的一致性,冷酷而没有弹性的安提贡尼代表的性格。Φνχρόν 的这个术语是冷酷与僵化的术语。克瑞恩称她是「摸起来冷冰冰的东西」,在650行,在他跟他的儿子的对话,为了让他知道,他不算损失很多。安提贡尼的性格跟她的抱怨对照,为了显露突然发泄的起伏变化的这个欠缺。大家认为,这种发泄不应该归咎于诗人。
It's an absurd misinterpretation, for from Antigone's point of view life can only be approached, can only be lived or thought about, from the place of that limit where her life is already lost, where she is already on the other side. But from that place she can see it and live it in the form of something already lost.