声音影响饮食行为:实证进展与理论构思
作者: 余习德 张小娟 / 13108次阅读 时间: 2017年5月13日
来源: 《心理科学进展》
www.psychspace.com心理学空间网参考文献

YL$Z*Bq)a `0@`0心理学空间dl T4I%yW

崔丽娟 , 张高产. (2004). 内隐联结测验 (IAT)研究回顾与展望. 心理科学, 27, 161–164.

{V6?Q2z3s6S#V5[?0

-yeE1v,o&oH0黄宇鸿. (2007). 释"和""谐". 广西社会科学 , (5), 135–137. 心理学空间s:G8j#_0yb"q

心理学空间[.nu ZV`%v"V4t"t

王远坤. (2005). “声味相和 ”,一种有意味的形式 ——论中国歌舞艺术与饮食. 饮食文化研究, (3), 104–112. 心理学空间7A%W8m6y?8X jx] I^s

心理学空间L"N(Xnv;A\7?

叶浩生. (2014). “具身”涵义的理论辨析 . 心理学报 , 46, 1032–1042.

Ji_(hs8YHMo0

&S2`%j(E#V7?q{+Zc9ZeO0叶浩生. (2010). 具身认知 : 认知心理学的新取向 . 心理科学进展, 18, 705–710.

dz-pZ,s3W#`#L0心理学空间pO7r3^]F~;D

叶浩生. (2011). 有关具身认知思潮的理论心理学思考 . 心理学报 , 43, 589–598.

2BMH*_| VIy0?0心理学空间,es5}`la'D,]4J

周雯, 冯果. (2012).嗅知觉及其与情绪系统的交互 . 心理科学进展, 20, 2–9. 心理学空间VrK/M(Tf})n1U

心理学空间?` C}8H0M!B"^

Areni, C. S., & Kim, D. (1993). The influence of background music on shopping behavior: classical versus top-forty music in a wine store. Advances in Consumer Research, 20, 336–340. 心理学空间-`#C8t/_Ga

心理学空间$PR%nws,`\3lJ8G

Blood, A. J., & Zatorre, R. J. (2001). Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. Proceedings of the National Academy of Sciences of the United States of America, 98, 11818–11823. 心理学空间"~+m$}6Kz"k9j#[`

心理学空间3P| A5h]l ?PZ

Bronner K., Frieler, K., Bruhn, H., Hirt, R., & Piper, D. (2012). What is the sound of citrus? Research on the correspondences between the perception of sound and flavour. In C. Tsougras, P. Mavromatis, K. Pastiadis (Eds.), Proceedings of the ICMPC, ESCOM 2012 joint conference. Thessaloniki, Greece: ICMPC. 心理学空间'g e*D7K`+`V\

心理学空间n6H3h:^8]!T [,?

Brown, R. L. (1958). Wrapper influence on the perception of freshness in bread. Journal of Applied Psychology, 42, 257–260.

?,_P3Z t n`0心理学空间Z5t&?5\+]V\

Budinger, E., Heil, P., Hess, A., & Scheich, H. (2006). Multisensory processing via early cortical stages: Connections of the primary auditory cortical field with other sensory systems. Neuroscience, 143, 1065–1083. 心理学空间4G,wlu3T-yV]

AAjS6qt#P0Budinger, E., Laszcz, A., Lison, H., Scheich, H., & Ohl, F. W. (2008). Non-sensory cortical and subcortical connections of the primary auditory cortex in Mongolian gerbils: Bottom-up and top-down processing of neuronal information via field AI. Brain Research, 1220, 2–32. 心理学空间zTtl*N N(d v

心理学空间-M~!N:K*O

Calvert, G. A., Spence, C., & Stein, B. E. (2004). The handbook of multisensory processes. Cambridge, MA, UK: MIT Press. 心理学空间 o XB z-@ aSU4H

+C)mGXKn+`0Carvalho, F. R., van Ee, R., Rychtarikova, M., Touhafi, A., Steenhaut, K., & Persoone, D., … Leman, M. (2015). Does music influence the multisensory tasting experience?. Journal of Sensory Studies, 30, 404–412. 心理学空间7B*kM*Q'u9]:u,]

JrS,kGX9OE0Carvalho, F. R., Wang, Q., van Ee, R., & Spence, C. (2016). The influence of soundscapes on the perception and evaluation of beers. Food Quality and Preference, 52, 32–

-@[#Vkh!X.V1TP6zz0心理学空间.|U._Zv

41. 心理学空间x3y2mhh3~kQ

.z?%HRg0Christensen, C. M., & Vickers, Z. M. (1981). Relationships of chewing sounds to judgments of food crispness. Journal of Food Science, 46, 574–578.

q6a|4GUF#t(bX0

#fcF.r3]:]7Vxa|W0Crisinel, A. S., Cosser, S., King, S., Jones, R., Petrie, J., & Spence, C. (2012). A bittersweet symphony: Systematically modulating the taste of food by changing the sonic properties of the soundtrack playing in the background. Food Quality and Preference, 24, 201–204.

)l(M5[Qcp*w;Y-}'J0

%da-L.{8W3SA0Crisinel, A. S., Jacquier, C., Deroy, O., & Spence, C. (2013). Composing with cross-modal correspondences: Music and odors in concert. Chemosensory Perception, 6, 45–52. 心理学空间8]7K%k6X)m1O

/~sn#XjS/^[0Crisinel, A. S., & Spence, C. (2009). Implicit association between basic tastes and pitch. Neuroscience Letters, 464, 39–42. 心理学空间@ f!E VeJ*f(SC%W)M

心理学空间0m)`s so f\2p7H

Crisinel, A. S., & Spence, C. (2010a). A sweet sound? Food names reveal implicit associations between taste and pitch. Perception, 39, 417–425.

*S$l_/]%j+kh0心理学空间Z i3?f:k%N |Q x [

Crisinel, A. S., & Spence, C. (2010b). As bitter as a trombone: Synesthetic correspondences in nonsynesthetes between tastes/flavors and musical notes. Attention, Perception, & Psychophysics, 72, 1994–2002.

+[2R/M)D0bX0p0

8S[rAP0Crisinel, A. S., & Spence, C. (2011). Crossmodal associations between flavoured milk solutions and musical notes. Acta Psychologica, 138, 155–161.

"Pb0yg;| w0

{.NQ x1QrBBl i A0Crisinel, A. S., & Spence, C. (2012a). A Fruity Note: Crossmodal associations between odors and musical notes. Chemical Senses, 37, 151–158. 心理学空间AH'?if/X6g,J^

}9fmb%w-cGI$u,B0Crisinel, A. S., & Spence, C. (2012b). The impact of pleasantness ratings on crossmodal associations between food samples and musical notes. Food Quality and Preference, 24, 136–140. 心理学空间4On*y a:s

心理学空间LL,M&~F-pH4F

Cummings, A., .eponien., R., Koyama, A., Saygin, A. P., Townsend, J., & Dick, F. (2006). Auditory semantic networks for words and natural sounds. Brain Research, 1115, 92–107. 心理学空间+|i:Z1z!e,m%M;P d+z

i"R_5c~6g d3A0Damasio, A. (2000). The feeling of what happens: Body, emotion and the making of consciousness. The Making of Consciousness Harcourt Brace, 2, 81–91.

y1Q m&R MM @+Q0心理学空间 C$Ct&Ay4r lX,U

Deadwyler, S. A., Foster, T. C., & Hampson, R. E. (1987). Processing of sensory information in the hippocampus. CRC Critical Reviews in Clinical Neurobiology, 2, 335. 心理学空间+O&o&Pn!K M;Y

E-V)N9U2Cf7s0Delwiche, J. F. (2003). Attributes believed to impact flavor: An opinion survey. Journal of Sensory Studies, 18, 347–352.

w4O:]/yM5S0心理学空间)I]:M)LH

Demattè, M. L., Pojer, N., Endrizzi, I., Corollaro, M. L., Betta, M., Aprea, E., …Gasperi, F. (2014). Effects of the sound of the bite on apple perceived crispness and hardness. Food Quality and Preference, 38, 58–64.

.?,Jf*ri p yj)}0

-E2tk mya,`F |0Dijksterhuis, G., Boucon, C., & Le Berre, E. (2014). Increasing saltiness perception through perceptual constancy created by expectation. Food Quality and Preference, 34, 24–28. 心理学空间_5U%?t!MC O

心理学空间Jb4?y"_

Duizer, L. (2001). A review of acoustic research for studying the sensory perception of crisp, crunchy and crackly textures. Trends in Food Science & Technology, 12, 17–24. 心理学空间.^} ak4{1qo

心理学空间 dT7Fg^UZ-E

Ferber, C., & Cabanac, M. (1987). Influence of noise on gustatory affective ratings and preference for sweet or salt. Appetite, 8, 229–235. 心理学空间 e._f5e}!u L_

心理学空间a(L$P N/d'Bi

Fiegel, A., Meullenet, J. F., Harrington, R. J., Humble, R., & Seo, H. S. (2014). Background music genre can modulate flavor pleasantness and overall impression of food stimuli. Appetite, 76, 144–152.

v d%~L9IJb0心理学空间5Cy,sI)d;|CpPL

Forsyth, A., & Cloonan, M. (2008). Alco-pop? The use of popular music in Glasgow pubs. Popular Music and Society, 31, 57–78. 心理学空间8g1Z+V&qRV'M

%aL d/d!of0Fusar-Poli, P., & Stanghellini, G. (2009). Maurice merleau-ponty and the "embodied subjectivity" (1908–61). Medical Anthropology Quarterly, 23, 91–93.

cA4w:Hz7CrzOf0

K:M#vy(M0Galindo, M. M., Schneider, N. Y., St.hler, F., T.le, J., & Meyerhof, W. (2012). Taste preferences. Progress in Molecular Biology and Translational Science, 108, 383– 心理学空间y0zPZ%p^5M5\kT

心理学空间7B({gCK

426. 心理学空间'kI{.ccIq8X

s(wk h%WL0Grabenhorst, F., & Rolls, E. T. (2008). Selective attention to affective value alters how the brain processes taste stimuli. European Journal of Neuroscience, 27, 723–729. 心理学空间i A6ZUJ@`2e"}

心理学空间nk\S{M6p'J

Guéguen, N., Jacob, C., Le Guellec, H., Morineau, T., & Lourel, M. (2008). Sound level of environmental music and drinking behavior: A field experiment with beer drinkers. Alcoholism: Clinical and Experimental Research, 32, 1795–1798.

k C H ??Nv's3EO0心理学空间T}0[n9GRI)r

Guéguen, N., Le Guellec, H., & Jacob, C. (2004). Sound level of background music and alcohol consumption: an empirical evaluation. Perceptual and Motor Skills, 99, 34– 心理学空间)c1Ks-FN-C_;Z

"ercCuT038. 心理学空间sKLkx,v1N

;C%F"Uhf"pO[jt3a0Ikemoto, S. (2007). Dopamine reward circuitry: Two projection systems from the ventral midbrain to the nucleus accumbens–olfactory tubercle complex. Brain Research Reviews, 56, 27–78.

/g#a)S X"n$xKe0

.K.JD_6lT/X/l*r0Kejr, A., Gigante, C., Hames, V., Krieg, C., Mages, J., K.nig, N., … Diel F. (2010). Receptive music therapy and salivary histamine secretion. Inflammation Research, 59, 217–218. 心理学空间m*x@qN l@nsb

(oi2T o"Z7P;h0Koelsch, S., Kasper, E., Sammler, D., Schulze, K., Gunter, T., & Friederici, A. D. (2004). Music, language and meaning: Brain signatures of semantic processing. Nature Neuroscience, 7, 302–307.

tV\tH(Y0

E-u2e;Mc#iR0Koelsch, S. (2012). Brain and music. Oxford, England: John

? Q ~%xR?3BpQ$h0心理学空间_.e0d*A ] E6d

Wiley & Sons.

p(K9c~b8Q}"X*Kvo0

C U2g)xC(u'E0Kontukoski, M., Luomala, H., Mesz, B., Sigman, M., Trevisan, M., Rotola-Pukkila, M., & Hopia A. I. (2015). Sweet and sour: Music and taste associations. Nutrition & Food Science, 45, 357–376.

XV.nCt2CZ%Y9u0

E.j^2]5\q@Iz0Kn.ferle, K. (2012). Using customer insights to improve product sound design. Marketing Review St. Gallen, 29, 47–53.

2e ` ~;r-f q0心理学空间}Q,g%Qw4K|!W

Kn.ferle, K., & Spence, C. (2012). Crossmodal correspondences between sounds and tastes. Psychonomic Bulletin & Review, 19, 992–1006. 心理学空间pV2w!\I5oje

心理学空间*s2|_ W3ew-Bx:{%d l&[

Kn.ferle, K. M., Woods, A., K.ppler, F., & Spence, C. (2015). That sounds sweet: Using cross-modal correspondences to communicate gustatory attributes. Psychology & Marketing, 32, 107–120. 心理学空间(N3D(c1@?

心理学空间_K!h0C{:S-}m

Kupfkrmann, I. (1964). Eating behaviour induced by sounds. Nature, 201, 324.

1]oMe"]-GT0心理学空间Z w ?6CX_gx-g

Labroo, A. A., Dhar, R., & Schwarz, N. (2008). Of frog wines and frowning watches: Semantic priming, perceptual fluency, and brand evaluation. Journal of Consumer Research, 34, 819–831.

I9r1XI$hQp2Tx0

qQ;Yz u o0Lakoff, G., & Johnson, M. (1999). Philosophy in the flesh: The embodied mind and its challenge to western thought. New York: Basic Books.

,B1aJ;A;Gb;o/C0

4o_kH*[8U(k0McCarron, A., & Tierney, K. J. (1989). The effect of auditory stimulation on the consumption of soft drinks. Appetite, 13, 155–159. 心理学空间`&g R}k6f'B[

心理学空间3_/T+j:mv%G\\S6HK

Mesz, B., Sigman, M., & Trevisan, M. A. (2012). A composition algorithm based on crossmodal taste-music correspondences. Frontiers in Human Neuroscience, 6, 71.

} Y(Zp`k\2m7s0心理学空间 E D bJ)vD(G;c

Mesz, B., Trevisan, M. A., & Sigman, M. (2011). The taste of music. Perception, 40, 209–219.

|ul`4`}p0D0

6v h3U6M$W(Q,inl$^0Milliman, R. E. (1986). The influence of background music on the behavior of restaurant patrons. Journal of Consumer Research, 13, 286–289.

4s'Rv6tXOh-gPr0心理学空间#DehO$@1[

Newquist, G., & Gardner, R. A. (2015). Reconsidering food reward, brain stimulation, and dopamine: Incentives act forward. The American Journal of Psychology, 128, 431–444. 心理学空间Skl O `

`i?#_ t0North, A. C. (2012). The effect of background music on the taste of wine. British Journal of Psychology, 103, 293– 心理学空间@1QO*v8VGe4D9c;d#zn

心理学空间@w]$jS

301. North, A. C., Hargreaves, D. J., & Mckendrick, J. (1997). In-store music affects product choice. Nature, 390, 132. 心理学空间a8w9kIS_-V/q

!U ~K\ _9a0North, A. C., Sheridan, L. P., & Areni, C. S. (2016). Music congruity effects on product memory, perception, and choice. Journal of Retailing, 92, 83–95. 心理学空间?z q8e-TM!o

心理学空间HdqYX5Yp

Patel, A. D., & Iversen, J. R. (2014). The evolutionary neuroscience of musical beat perception: The action simulation for auditory prediction (ASAP) hypothesis.

N9HB*[(]`Tu4A h0心理学空间S u/r*R,op

心理学空间/bKr[kFP"M

B6^6NnzK@Ot4n0Frontiers in Systems Neuroscience, 8, 57.

i_1xvg"Xd/zA u0心理学空间:fn?ji c~@.k

Plailly, J., Howard, J. D., Gitelman, D. R., & Gottfried, J. A. (2008). Attention to odor modulates thalamocortical connectivity in the human brain. Journal of Neuroscience, 28, 5257–5267.

'PMvd2y1{Q E0

T1n[Ylz0Plotto, A., Margaría, C. A., Goodner, K. L., Goodrich, R., & Baldwin, E. A. (2004). Odour and flavour thresholds for key aroma components in an orange juice matrix: Terpenes and aldehydes. Flavour and Fragrance Journal, 19, 491–498.

3g^ Vs+k+L{0心理学空间6]a(F4S;i)cI;Xb

Rolls, E. T. (2000). The orbitofrontal cortex and reward. Cerebral Cortex, 10, 284–294.

"W&E q5yb,BQ"s0心理学空间OF/P8o/y j

Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14, 257–262.

A i1n4Ra1o Tu!J6Y wh0

&jzFiyv0Seo, H. S., H.hner, A., Gudziol, V., Scheibe, M., & Hummel, 心理学空间~|9j6lH3S!o

心理学空间},Aw@f)v~

T. (2012). Influence of background noise on the performance in the odor sensitivity task: Effects of noise type and extraversion. Experimental Brain Research, 222, 89–97. 心理学空间2T*M$m5C!|.YP5W

P*xAWq0]9l#j:Do0Seo, H. S., & Hummel, T. (2011). Auditory–olfactory integration: Congruent or pleasant sounds amplify odor pleasantness. Chemical Senses, 36, 301–309. 心理学空间AR]z9J0mNd)J z

心理学空间[+g!|G,h5rZ

Seo, H. S., Lohse, F., Luckett, C. R., & Hummel, T. (2014). Congruent sound can modulate odor pleasantness. Chemical Senses, 39, 215–228. 心理学空间5SR+[ MA5]V

R1^0P0V O|d0Slocombe, B. G., Carmichael, D. A., & Simner, J. (2016). Cross-modal tactile–taste interactions in food evaluations. Neuropsychologia, 88, 58–64. 心理学空间-i,W%[~+tN8F

(O8K4PMB0Spence, C. (2012). Auditory contributions to flavour perception and feeding behaviour. Physiology & Behavior, 107, 505–515.

Zn-U ns-M0心理学空间&p\)^G:Df|

Spence, C. (2015a). Eating with our ears: Assessing the importance of the sounds of consumption on our perception and enjoyment of multisensory flavour experiences. Flavour, 4, 3.

B"q?+n*ch7DX0心理学空间9^:X,m4OC4K m&zm-w0]

Spence, C. (2015b). Multisensory flavor perception. Cell, 161, 24–35. 心理学空间]E1b'y,?4k$A3]'c

0K$d y5p%E x lh0Spence, C. (2011). Mouth-watering: The influence of environmental and cognitive factors on salivation and gustatory/flavor perception. Journal of Texture Studies, 42, 157–171. 心理学空间}/@,}&X&dh%j/@

Z!|*cng+fVf0Spence, C. (2014). Noise and its impact on the perception of food and drink. Flavour, 3, 9. 心理学空间/V&E&X/c#a

d1`K$jFw9yR@0Spence, C., & Piqueras-Fiszman, B. (2015). The perfect meal: The multisensory science of food and dining. New York: John Wiley & Sons.

f1P3}:{il E0

5|+l E/Gr z+BYke|(i0Spence, C., & Shankar, M. U. (2010). The influence of auditory cues on the perception of, and responses to, food and drink. Journal of Sensory Studies, 25, 406–430. 心理学空间] P-I1@8W+KW0e5J N

8ssU7c9d'Gw0Spence, C., & Wang, Q. (2015). Sensory expectations elicited by the sounds of opening the packaging and pouring a beverage. Flavour, 4, 35.

/M{ OCzx/oqmA0

#o"U ~ L!d7OSF u fZ0Spence, C., & Zampini, M. (2006). Auditory contributions to multisensory product perception. Acta Acustica United with Acustica, 92, 1009–1025.

+S W-wu+SB*E0

V}uHZb7Y0Stafford, L. D., Fernandes, M., & Agobiani, E. (2012). Effects of noise and distraction on alcohol perception. Food Quality and Preference, 24, 218–224.

+\5w7B$`$\.F#q0心理学空间![(q;IW c/K h

Stein, B. E., & Meredith, M. A. (1993). The merging of the senses. Cambridge, UK: MIT Press. 心理学空间*Z'Ki(|N9K_4B1U}j(M

心理学空间_ L L@ _2F

Steinbeis, N., & Koelsch, S. (2011). Affective priming effects of musical sounds on the processing of word meaning. Journal of Cognitive Neuroscience, 23, 604– 心理学空间 q X(M@ W4v(P D

W)I1A7f je2a0621. Stevenson, R. J. (2012). The role of attention in flavour perception. Flavour, 1, 2. Stroebele, N., & de Castro, J. M. (2004). Effect of ambience on food intake and food choice. Nutrition, 20, 821–838. 心理学空间.LW;V/Rs+R

,K8oBF ~|/ME6`f0Stroebele, N., & de Castro, J. M. (2006). Listening to music while eating is related to increases in people's food intake and meal duration. Appetite, 47, 285–289. 心理学空间t~HcPn e

W _X ViE!vFJ ]6G0van Aken, G. A. (2013). Acoustic emission measurement of rubbing and tapping contacts of skin and tongue surfaces in relation to tactile perception. Food Hydrocolloids, 31, 325–331. 心理学空间mz0B1z#JY

cmmT-Z-g$QiFy(P0van Steenberghe, D., van der Glas, H. W., Grisar, P. R., & Vande Putte, K. M. (1981). The effect of acoustic masking on the silent period in the masseter electromyogram in man during sustained isometric contraction. Electromyography and Clinical Neurophysiology, 21, 611–625. 心理学空间MB7vH~(z$OX

eq6[F"S;?0Velasco, C., Salgado-Montejo, A., Marmolejo-Ramos, F., & Spence, C. (2014). Predictive packaging design: Tasting shapes, typefaces, names, and sounds. Food Quality and Preference, 34, 88–95.

Y.qgM6i+z K0

Sr {)y8y9\p\0Walker, P. (2012). Cross-sensory correspondences and cross talk between dimensions of connotative meaning: visual angularity is hard, high-pitched, and bright. Attention, Perception, & Psychophysics, 74, 1792–1809. 心理学空间U9rR\K#FO

心理学空间Lu#q?7W:sJ

Wang, Q., & Spence, C. (2016). ‘Striking a sour note’: Assessing the influence of consonant and dissonant music on taste perception. Multisensory Research, 29, 195–208.

-Ut6]!Y!i4qf0心理学空间\6f(~{M'G5D

Wang, Q. J., & Spence, C. (2015a). Assessing the effect of musical congruency on wine tasting in a live performance setting. i-Perception, 6, 2041669515593027. 心理学空间;oT^I3`,UxA

心理学空间A7s#Ay_;`$~Z

Wang, Q. J., & Spence, C. (2015b). Assessing the influence of the multisensory atmosphere on the taste of vodka. Beverages, 1, 204–217.

Nb I7lR0

/l)lp.Sp+R%S KZ r&p0Wesson, D. W., & Wilson, D. A. (2010). Smelling sounds: Olfactory-auditory sensory convergence in the olfactory 心理学空间!vNC+c-Ie'R.Ht

/gP2eb]1H0

dS8c"k+q;C j0心理学空间\,BG%tC

tubercle. Journal of Neuroscience, 30, 3013–3021. Yang, S. J., Gallo, D. A., & Beilock, S. L. (2009). Embodied

?I-knU?k#ER2v:um0

HL,In6yYIyw0Woods, A. T., Lloyd, D. M., Kuenzel, J., Poliakoff, E., memory judgments: A case of motor fluency. Journal of Dijksterhuis, G. B., & Thomas, A. (2011). Expected taste Experimental Psychology: Learning, Memory, and intensity affects response to sweet drinks in primary taste Cognition, 35, 1359–1365. cortex. Neuroreport, 22, 365–369. Zampini, M., & Spence, C. (2004). The role of auditory cues

|nayV2g0

(]SM%C\O g0Woods, A. T., Poliakoff, E., Lloyd, D. M., Dijksterhuis, G. B., in modulating the perceived crispness and staleness of & Thomas, A. (2010). Flavor expectation: The effect of potato chips. Journal of Sensory Studies, 19, 347–363. assuming homogeneity on drink perception. Chemosensory Zampini, M., & Spence, C. (2005). Modifying the Perception, 3, 174–181. multisensory perception of a carbonated beverage using

)H.]kR n0

!yt1Cy[)E0Woods, A. T., Poliakoff, E., Lloyd, D. M., Kuenzel, J., auditory cues. Food Quality and Preference, 16, 632–641. Hodson, R., Gonda, H., … Thomas, A. (2011). Effect of Zhong, C. B., & Leonardelli, G. J. (2008). Cold and lonely: background noise on food perception. Food Quality and Does social exclusion literally feel cold?. Psychological Preference, 22, 42–47. Science, 19, 838–842. 心理学空间@1@,I:Xb]N YT

心理学空间NC'@9@(\)Z?7LqQ

Sound influence eating or drinking behavior: Empirical progress and theoretical ideas

cEh6i9P:A1I;d g0

*HG{,hG'R0YU Xide1; ZHANG Xiaojuan2; LU Cheng3; ZHU Yiyi1; GAO Dingguo1 心理学空间dZ{Q:} o3r%l

心理学空间V f*D*P6?"n c1Z"D

(1 Department of psychology, Sun Yat-sen University, Guangdong Provincial Key Laboratory of

5mZ$Q7fQQQ0q7r0心理学空间Y _/jd:Z0Q/c+k

Social Cognitive Neuroscience and Mental Health, Guangzhou 510006, China)

I \ k XL5f` I0心理学空间3mZ:p*lQ i6X,m8RE

(2 Chaoyang Experimental School, Shantou 515100, China)

YV4_ xB0i'y7W-^0心理学空间4{+?&G?7{0d

(3 Nanfang College of Sun Yat-sen University, Guangzhou 510970, China)

N)YS*D+~)X2q_0心理学空间 sHbh0\:e8F'c(F8x7_

Abstract: Dietary behaviors consist of a series of psychological and behavior processes, such as sensing flavors, evaluating food’s and drink’s qualities or hedonic valuation, forming preferences for foods and drinks, as well as the explicit consuming actions and patterns. Dietary behaviors are influenced by sound, which, specifically, affects the sensitivity of the gustatory system and individuals’ food preferences. Sounds contain inter-oceptive cues and exter-oceptive cues that directly affect dietary behaviors. Inter-oceptive cues refer to sounds created when one interacts with foods, such as chewing sound, swallowing sound and food preparation sound etc.. Exter-oceptive cues refer to environmental or background sounds, such as music played in a restaurant. Studies have shown that the effects of sound on dietary behaviors are essentially cognitive, involving, for example attention, sensory integration (the match effect), and familiarity and expectation (the potential tone painting effect). The interaction between sound and dietary behaviors has also been studied by neuroscientists, who aim to uncover the underlying mechanisms, and from the embodied cognitive perspective. Both are expected to provide insights about dietary behaviors. Key words: noise; interactive sound; background music; dietary behavior; across-modal integration 心理学空间#~9q ks{%Rt;~H

www.psychspace.com心理学空间网
«自尊的认知神经机制 人格与社会心理学
《人格与社会心理学》
第18章 人类情绪的发生»